The Leaving of Ukraine Through Bloodlands 2015

Using a variety of clay techniques, both contemporary and traditional, ceramic artist, Luda Korczynskyj weaves the story of her family’s emigration to Fremantle in 1949 from war – torn Europe.  Though the loss of cultural heritage was immense, this exhibition is a celebration of how art survives and creative values are never truly lost


The road from Demyanovka 1941

P1120222B Bloodlands

The road to Demyanovka 2013


BLOODLANDS – 1 panel of 7

IMG_0920B Trypillian platter

Trypillan Platter


Mikola, my great, grandfather was a village potter of extraordinary skill and tenacity.  He made functional ware in the little pottery hamlet of Shatrashchi, in North Eastern Ukraine.  This village was situated on clay pits.  A family member recalling his skill, said that people came from miles around to the market days, just to buy his pots.  Apparently they had a special ‘ring’ to them.

 He was an illegitimate child, who overcame that adversity and later the vile suppression of the communist regime.

He refused to join the Stalinist collective and felt so attached to his village and pottery that when the Bolsheviks exiled his whole family to another nearby town he went missing and everyone thought he was lost forever.

Later he was discovered sleeping on the pottery door step in protest.

 He died at the ripe old age of 78.  By this time he had lost his sight; it is said from peering into the white light of the kilns.


Monastery Light

Luda K. Village pots wax resist-lots

Village market pots